I'm not sure how to rate this. The super wide photography is immaculate, save for a few frames that appear to have a shadow in odd places on them which…. Tokyo Drifter opens with a black-and-white tone and an unforgiving aggressiveness, highlighting particular objects with vivid colors like Suzuki previously did in Shunpu Den (1965) for dramatic effect. arguably the best set design ever. It is an interesting action gangster japanese film with an entertaining story and an interesting feeling. I loved the energy of the visuals and the use of music, especially Tetsu’s theme. Made by fans in Auckland, New Zealand. umiamiq uses Letterboxd to share film reviews and lists. Started another Letterboxd list project titled 2020’s Best Picture, Voted by Letterboxd Users ➡️ CLICK HERE. … After… Review by josh lewis ★★★★ candy-colored yakuza, western, new wave pop explosion. Movie Theater. Implying Movies are Good III: Tokyo Drift. Film Doge. Watched Aug 14, 2020. This poetic irony between our morally grey characters and the eye-popping worlds in which they co-inhabit (not to mention- those outfits!) Favorites: The Spirit of the Beehive (1973), Persona (1966), The Passenger (1975), Woman in the Dunes (1964). And after rewatching it again tonight I learned two things. The colours of each scene were so vivid and deliberate. Implying Movies are Good III: Tokyo Drift. Shane McAvoy’s review published on Letterboxd: Love when a character in a movie throws a gun. And the music also plays a cool role as the characters sing a specific melody that stays with you even after the film. Loved it. This review may contain spoilers. Tokyo Drifter 1966 ★★ Watched Jul 22, 2020. Tokyo Drifter 1966 ★★ Watched Jun 20, 2020. AWESOME! Thus, the statues and piano and so on seem to be floating in a void, yet there's still structure to it. This jazzy Japanese noir had me on my toes. Mobile site. Till memories of Tokyo are gone. The triumph of creativity and ingenuity in filmmaking against all odds, Tokyo Drifter somehow uses everything that would normally have been a hurdle to its advantage and defies all expectations. It's not exactly tense. Although the film has a weird feel in some parts, the main character has a charm that helps! Still gonna whistle Tetsu's song all day! Worth seeing. Report this film. After yakuza boss Kurata dissolves his own criminal empire, a rival kingpin offers a position to Kurata's top operative, Tetsuya "Phoenix Tetsu" Hondo. Show All… You know that old adage, “If a tree falls in the wood but no one is around to hear it, did it really make a sound?” Tokyo Drifter poses its own- If a man is murdered in cold blood, but we couldn’t hear it or were too dazzled by the bright, flashing…. From what I’ve heard, Suzuki was a filmmaker whose movies were light on plot and heavy on everything else, and while Tokyo Drifter could be described like that, I think that the thin plot was part of what made the movie work so well. Cole Thompson 119 films 1,778 57 Edit. 2020 is coming to an… Candy Cinema. Seijun Suzuki fucked over his own production company and came out with this insane movie that would become one of the most influential films ever, i mean you can just feel its presence everywhere. The protagonist Tetsu is such a bad ass. The confusion created during the conflict seems very intentional--misdirection, not bad direction. Tokyo Drifter 1966 ★★★★ Watched Mar 13 , 2020 reibureibu’s review published on Letterboxd: I don’t say this in a CinemaSins way. The production design is fantastic, as is the music– but the editing and structure is so chaotic I couldn't enjoy– much less understand– what I was watching. ", On re-watch it made a bit more sense to me, in just a conventional plot sense. The fight scenes are edited into incoherence, which hamstrings the film, since the mid-section of the film is occupied almost entirely by Tetsu fighting off various pursuers. If the disc were in better condition, I would screencap just that scene. love that the studio kept giving this man smaller budgets as a message to chill the fuck out with the visual surrealism and musicality and this borderline avant-garde crime film insanity is what he came up with lol. The production design is cool as it is original and goes well with the world. When the fiercely loyal Tetsu declines, Otsuka taps unstoppable Tatsuzo the "Viper", a ruthless gun-for-hire, to assassinate him. arguably the best set design ever. FrankiTeardrop uses Letterboxd to share film reviews and lists. Tokyo Drifter 1966 ★★★½ . This is a list of hight quality "short" films. sierra uses Letterboxd to share film reviews and lists. full discussion on episode 146 of my podcast SLEAZOIDS. ‘東京流れ者’ Haters of Letterboxd. and man, that gun hitting the piano. Paying attention to the somewhat complicated story of Tokyo Drifter doesn’t really matter, as the film uses the plot…, just the coolest. The mise en scène of Tokyo Drifter is highly stylized. That theme never gets old2. 256 films watched. To some degree that blurriness is a part of 'Tokyo Drifters' appeal. It's got the *almost* loner type main…. Tokyo Drifter 1966 ★★★★★ Watched Nov 18, 2017. This was bewildering, even borderline incoherent at times, but still really fun. From what I’ve heard, Suzuki was a filmmaker whose movies were light on plot and heavy on everything else, and while Tokyo Drifter could be described like that, I think that the thin plot was part of what made the movie work so well. This film somehow got even more cool. 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