Ms. Killian currently also serves as Repertory Director for the New York City Ballet’s Education Department, staging productions featuring SAB’s Intermediate and Advanced students for NYCB’s Ballet Bridges programs, which reach over 2,000 public school children each year. Stream On Pointe - English Documentary … Copyright © 2021 OnTheRedCarpet.com. pic.twitter.com/39n1FSq0tS, NEW YORK -- Now you can look inside the School of American Ballet with unprecedented access with the Disney+ docu-series "On Pointe.". Noah earned widespread critical acclaim for his speed, dynamism and technical precision, plus his ability to excel in the classical ballet genre as well as inspire contemporary choreographers. Lauren King was born in Massapequa Park, New York, and began her dance training at the age of 10 with Jane Miller, Luba Gulyaeva, Ali Pourfarrokh, and Lynn Glauber at the American Theater Dance Workshop, the official school of the Eglevsky Ballet Company, in New Hyde Park, New York. His repertoire included Balanchine’s Agon, Allegro Brillante, Divertimento No. He was invited to perform in international galas all over the world, dancing solos and pas de deux created especially for him by William Forsythe and others. Mr. Boal has staged the works of George Balanchine, Ulysses Dove, and Peter Martins for the Company and elsewhere. Ms. Ash appeared as herself and as the principal dance double for Zoe Saldana in the 2000 feature film Center Stage. Her dancing partners included Jacques d’Amboise, Arthur Mitchell, Peter Martins, Edward Villella, Mikhail Baryshnikov, and Sean Lavery. In 2000, he was promoted to soloist, and in 2002 to principal dancer. Nancy Schwartzman is a documentary Peabody Award Nominated director director, producer, and media strategist who uses storytelling and technology to create safer communities for women and girls. He later studied at Interlochen Arts Academy, Dance Theatre of Harlem, Miami City Ballet, the School of American Ballet, Creative Outlet Dance Theatre of Brooklyn, The Ailey School and Ballet Divertimento in Montreal, Canada. In 1996, Mr. Boal received the Dance Magazine Award, and in 2000, he received a New York Dance and Performance Award (Bessie) for his performance in Ms. Fenley’s State of Darkness. Alumni comprise more than 95% of New York City Ballet and fill the ranks of companies across the US and around the world. Born in Maywood, Illinois, Craig Hall began his dance training at the age of four at Stairway of the Stars with Lois Baumann. She was an apprentice with Oregon Ballet Theatre for its 2001-2002 season. is the 45 minute documentary produced by Picture Start Films and featured in. A look inside NYC Ballet’s in-school residency programs which engage, enlighten, and inspire students in New York City schools. Ms. King served as a SAB Teaching Fellow for the 2016-17 Winter Term and was a regular guest teacher at SAB for the 2017-18 winter and summer training programs. Dena Abergel began ballet classes at the age of 6 with Dorit Koppel at Progressive Dance Studio in Englewood, New Jersey. At the age of 15, Ms. Ware attended the School of American Ballet’s Summer Course and subsequently enrolled in the School’s Winter Term. He has also performed leading roles in Jerome Robins’s Andantino, Brandenburg, Dances at a Gathering, Four Bagatelles, The Goldberg Variations, Opus 19, and Other Dances; in Peter Martins’s A Fool for You, Hallelujah Junction, Naïve and Sentimental Music, Romeo + Juliet (Tybalt), The Sleeping Beauty, and Swan Lake; in Mauro Vigonzetti’s Vespro; in Christopher Wheeldon’s DGV: Danse à Grande Vitesse, Mercurial Manoeuvres, and Polyphonia; and in Justin Peck’s Everywhere We Go. Ballet Docu-series ON POINTE Premieres Dec. 18 on Disney Plus On Pointe captures a season in New York City’s world renowned School of American Ballet. The company has toured to Europe, Australia, Taiwan, Hong Kong, Canada, and throughout the United States, with celebrated appearances at Jacob’s Pillow, Vail International Dance Festival, and in New York City and Washington, D.C. All Rights Reserved. Noah performed as a child in The Nightingale and Raft of Medusa with the First All Children’s Theater just opposite Lincoln Center. Season 39, Episode 7 | 1h 25m. She joined SAB’s permanent faculty in September 2016 and continues to perform as a member of New York City Ballet. At SAB’s June 1990 Workshop performances, she danced featured roles in Stars and Stripes and the pas de deux from Kermesse in Bruges. The Nutcracker Project A look at The Nutcracker Project, an in-school residency program designed to encourage and showcase the artistic expression of students through exposure to New York City Ballet. Ms. Hyltin’s vast repertoire includes principal roles in works by George Balanchine, Jerome Robbins, Peter Martins, Alexei Ratmansky, and Christopher Wheeldon. Upon his retirement from performing in 2016, Mr. Hall joined New York City Ballet’s artistic staff as a ballet master. The documentary follows the 2019-2020 school season for the youth division at the School of American Ballet, one of the most prestigious ballet schools in the US. He joined the Company as a member of the corps de ballet in July 2007, was promoted to the rank of soloist in July 2011, and was named a principal dancer in June 2015. As Kay Mazzo, a former City Ballet principal who is the chairman of faculty at the school, points out early in the documentary, “Ballet is an unforgiving art form.” A native New Yorker, Noah Gelber began his singing, acting and dance training at the age of 5. Ms. Pilarre set this version of Symphonie Concertante on ABT in 1994. In addition to touring with New York City Ballet, Mr. Boal performed as a principal dancer with Ballet Arizona; the Ballet du Nord in France; the Kirov Ballet; The Metropolitan Opera, dancing the variation in Zeffirelli’s La Traviata; the Norwegian National Ballet; the Royal Birmingham Ballet; the Suzanne Farrell Ballet; the Wendy Perron Dance Company; and with Molissa Fenley at the Joyce Theater. In 2005, he retired from New York City Ballet after a 22-year career with the company. In 2011, Ms. Fairchild danced the role of The Sugarplum Fairy in PBS’ LIVE From Lincoln Center telecast of George Balanchine’s The Nutcracker which was also screened in movie theaters around the world. The show is being billed as the real-life Center Stage . The six-part docuseries, which began filming in summer 2019 and concluded in early 2020 when the school shut down due to COVID-19, follows a season with SAB students. Though it's not yet clear where "On Pointe" will air, we do know that it'll follow talented SAB students preparing for professional ballet careers—much as Teen Vogue 's popular "Strictly Ballet" web series did back in the day . Ms. Abergel pursued college studies while a member of New York City Ballet and graduated summa cum laude in 2001 with a B.A. Beginning at the age of 13, he attended three consecutive SAB Summer Courses before enrolling as a fulltime student in the fall of 1996. When he was 15, Sam Merkle moved from Richmond to New York City to attend the prestigious School of American Ballet. The DisInsider > Disney+ > Disney+ Documentary Series On American Ballet In The Works. She joined the Company as a member of the corps de ballet in October 2002, was promoted to the rank of soloist in February 2004, and in January 2005, she was promoted to principal dancer. Ms. Anderson has performed featured roles in numerous ballets including Balanchine’s La Valse, Prodigal Son and George Balanchine’s The Nutcracker®; Peter Martins’s adaptation of Bournonville’s La Syphide as well as Mr. Martins’s The Magic Flute, Romeo + Juliet, The Sleeping Beauty and Swan Lake; Jerome Robbins’s The Concert and The Four Seasons; and Alexei Ratmansky’s Russian Seasons. She was invited to become an apprentice with New York City Ballet in November 2004, and in June 2005 she joined the Company as a member of the corps de ballet. She was named a soloist in 1971. Ms. Pilarre appeared in the original productions of Balanchine’s Harlequinade (1965), Jewels (1967), Symphony in Three Movements (1972), Danses Concertantes (1972), Le Tombeau de Couperin (1975), and Union Jack (1976). Short documentary about the Ballettschule Theater Basel filmed during the season 2016-2017, inner view of the process that our students live day by day at the school, with testimonies from teachers, students, Amanda Bennett and Richard Wherlock. Balanchine choreographed solo roles on her in Don Quixote, Raymonda Variations, Harlequinade, and A Midsummer Night’s Dream. Other Balanchine ballet stagings include Serenade for Warsaw Ballet and Tarantella for ABT Studio Company in 2004, and Symphony in Three Movements for Pacific Northwest Ballet in 2005. Upon her retirement from New York City Ballet in 1981, Mr. Balanchine asked Ms. Mazzo to begin teaching at the School of American Ballet, the official academy of New York City Ballet. She earned a bachelor’s degree from Fordham University in June 2018. She was invited to become an apprentice with New York City Ballet in June 2006 and joined the NYCB corps de ballet in the spring of 2007. He joined SAB’s permanent faculty in 2014. Follow the real-life stories of students from the School of American Ballet in this Disney+ Original Documentary Series. He enrolled as a full-time student in the fall of 2003 and was awarded SAB’s Mae L. Wien Award for Outstanding Promise in June 2006. Ms. Stafford attended three consecutive SAB Summer Courses beginning in 1996 before enrolling as a full-time student in September 1998. 2, Union Jack, and La Valse; August Bournonville’s Bournonville Divertissements (Ballabile from Napoli) and Flower Festival in Genzano Pas de Deux; Peter Martins’ Fearful Symmetries, Les Gentilhommes, Romeo + Juliet (Romeo), The Sleeping Beauty (Jesters) and Swan Lake (Neapolitan); and Jerome Robbins’ 2&3 Part Inventions, The Concert, and Les Noces. Dena Abergel began ballet classes at the age of 6 with Dorit Koppel at Progressive Dance Studio in Englewood, New Jersey. Disney+ Documentary Series On American Ballet In The Works. She originated a principal role in Haiku, with choreography by Albert Evans and music by John Cage, for NYCB’s May 2002 Diamond Project. Following performances with Jerome Robbins’ Ballets U.S.A., Ms. Mazzo became a member of the New York City Ballet in 1961 and was promoted to soloist in 1965 and principal dancer in 1968. Votes: 10 On Pointe captures a season in New York City’s world renowned School of American Ballet (SAB). Ms. King joined New York City Ballet as a member of the corps de ballet in June 2004 and was promoted to soloist in February 2013. 2, Union Jack, La Valse, and Vienna Waltzes; Robbins’s Dances at a Gathering, Fancy Free, Fanfare (Clarinets), Glass Pieces, The Goldberg Variations, I’m Old Fashioned, Interplay, In the Night, Ives, Songs, and Les Noces; and Martins’s Ash, Delight of the Muses, Les Gentilhommes, Jazz (Six Syncopated Movements), Les Petits Riens, The Sleeping Beauty (Gold), Slonimsky’s Earbox, Swan Lake (Benno and Hungarian) and Symphonic Dances. Ms. Fairchild’s vast repertoire includes principal roles in works by George Balanchine, Jerome Robbins, Peter Martins, Alexei Ratmansky, Christopher Wheeldon and Justin Peck. He was promoted to the rank of soloist in March of 2006 and became a principal dancer in May 2007. Operating for more than two centuries, the Royal Danish Theatre Ballet School is one of the longest-standing ballet schools Europe has to offer. She originated principal roles in the Jerome Robbins masterworks Dances at a Gathering (1969) and In the Night (1970). Mr. Hendrickson was a guest teacher at SAB during the 2017-18 Winter Term and joined the permanent faculty in September 2018. Now Disney+ delivers On Pointe, a documentary series about the real-life students at the prestigious School of American Ballet, in New York. He retired from performing in July 2012 after 14 years with New York City Ballet. In 1972, Ms. Schorer became a permanent member of the faculty, teaching intermediate and advanced students. Still, with all those years behind it, the Royal Danish School of Ballet never grows stale. Upon her retirement from performing, Ms. Ash founded The Swan Dreams Project, a not-for-profit endeavor which was initially conceived as a photography project but has expanded to include programs, lectures and camps with Ms. Ash’s career and imagery as the foundation of the Project’s mission to dismantle stereotypes surrounding race, beauty and talent. Ms. Schorer lectures on Balanchine aesthetics and guest teaches widely in the United States and abroad. In the spring of 1998 Mr. Hendrickson became an apprentice with New York City Ballet, and in the summer of 1998 he joined the Company’s corps de ballet. Mr. Huxley’s repertoire includes principal roles in Balanchine’s Ballo della Regina, Coppélia, Divertimento from ‘Le Baiser de la Fée’, Duo Concertant, Jewels (“Emeralds” and “Rubies”), The Four Temperaments, A Midsummer Night’s Dream, Mozartiana, Prodigal Son, George Balanchine’s The Nutcracker®, Raymonda Variations, Symphony in C, Symphony in Three Movements and Vienna Waltzes; in Bournonville’s La Sylphide; in Jerome Robbins’s The Four Seasons, Goldberg Variations and Two & Three Part Inventions; in Peter Martins’s Romeo + Juliet, The Sleeping Beauty, Swan Lake and Fearful Symmetries; in Justin Peck’s Year of the Rabbit and Rodeo: Four Dance Episodes; in Alexei Ratmansky’s Concerto DSCH; in Christopher Wheeldon’s Mercurial Manoeuvres; and in Richard Tanner’s Sonatas and Interludes. George Balanchine created principal roles for her in Tschaikovsky Suite No. A documentary crew follows four leading men of American Ballet Theatre to their respective hometowns as they rehearse a newly commissioned work by choreographer Mark Morris. She originated roles in Robbins’s West Side Story Suite; in Peter Martins’s Chichester Psalms, Harmonielehre, Symphonic Dances, The Sleeping Beauty, Swan Lake and Romeo+Juliet; and in Christopher Wheeldon’s Carnival of the Animals, Variations Serieuses, and An American in Paris. The School of American Ballet is teaming up with Imagine Documentaries and DCTV for the project. From Ron Howard and Brian Grazer’s Imagine Documentaries, On Pointe centers students of the prestigious School of American Ballet as they prepare for … 2, and Swan Lake, among others. She performed with New York City Ballet for seven years, originating corps roles in new works by Peter Martins, Christopher Wheeldon, and Miriam Mahdaviani, among others, and performing in numerous masterworks of George Balanchine and Jerome Robbins. At all levels of training, they strive to communicate the fine points of classicism that are the foundation of Balanchine’s aesthetic—teaching students to move with musicality, control, precision, speed and expansiveness. In the early 1960s, George Balanchine asked Ms. Schorer to assist him as a teacher at the Company and in Ford Foundation Seminars for teachers. She joined the School’s permanent faculty in September 2018 while continuing her performing career with New York City Ballet. Noah was active in the choreographic processes at the Frankfurt Ballet, creating considerable solo and pas de deux material contained in some Forsythe pieces. The documentary series follows the students at the School of American Ballet. Sterling Hyltin was born in Amarillo, Texas. Mr. Scordato has also originated featured roles in several ballets by Justin Peck, including Everywhere We Go, Rōdē,ō: Four Dance Episodes, Pulcinella Variations, and The Most Incredible Thing. He joined the School’s permanent faculty in September 2018 while continuing his performing career with New York City Ballet. That same year at Balanchine’s request, she reorganized the NYCB lecture-demonstration program for public schools, which she oversaw until 1995. Artistic Director,Pacific Northwest Ballet. Susan Pilarre was born in Brooklyn, NY, and began her ballet training in Cedarhurst, NY, with New York City Ballet Principal Melissa Hayden. She originated featured roles in Justin Peck’s New Blood and in Annabelle Lopez Ochoa’s Unframed. Celebrate the holidays with all episodes of #OnPointe, an Original Documentary Series, now streaming on #DisneyPlus. His Balanchine repertoire includes Tarantella pas de deux’, Steadfast Tin Soldier, Tschaikovsky Pas de Deux, main roles in ‘Rubies’, Valse Fantaisie and Allegro Brilliante, ‘Melancholic’ from The Four Temperaments, second movement of Western Symphony, and various solo parts from The Nutcracker (among others). Ms. Hyltin was NYCB’s Janice Levin Dancer Honoree for 2005-2006. the national public television broadcast of. She was named Children’s Repertory Director at New York City Ballet in the fall of 2012. Leyland Simmons was born and raised in Anchorage, Alaska. Leyland became an adjunct instructor for NYU Tisch for the 2020-21 school year. In 2015 he was named SAB’s first Professional Placement Manager, a role created to assist students with the transition into their professional careers. During 18 years as a member of New York City Ballet, Ms. Abergel performed in numerous works by George Balanchine and Jerome Robbins. Mr. Stafford became only the third Artistic Director in SAB history in February 2019. Just in time for the holidays, Disney+ will debut a documentary series On Pointe about the youth School of American Ballet and its annual performance of … Mr. Higgins originated roles in David Allan’s Pastoral Dances, John Alleyne’s The New Blondes, Robert La Fosse’s “Rockin’ In Rhythm” from Duke!, Miriam Mahdaviani’s Appalachia Waltz and Correlazione, Mr. Martins’ Reliquary, Trey McIntyre’s Steel and Rain, Kevin O’Day’s Swerve Poems, Robbins’ West Side Story Suite, Susan Stroman’s “Makin’ Whoopee!” (Garrison) from Double Feature, and Christopher Wheeldon’s Carnival of the Animals and Carousel (A Dance). Allen Peiffer was born in Harrisburg, Pennsylvania. She began her dance training at the age of six at the Dallas Metropolitan Ballet, where she studied with Ann Etgen and Bill Atkinson. 15, Jewels (“Emeralds”), Episodes, The Four Temperaments, George Balanchine’s The Nutcracker®, La Sonnambula, La Source, A Midsummer Night’s Dream, Symphony in C, Tschaikovsky Piano Concerto No. She joined the School’s permanent faculty in September 2018 while continuing her performing career with New York City Ballet. He is also a guest teacher with New York City Ballet and taught at Boston Ballet’s 2010 and 2011 Summer Dance Program. History. We've been dying to hear more about "On Pointe," a docuseries following students at the School of American Ballet, since we first got wind of the project this spring. Mr. Simmons has also performed with the New York City Ballet, Peridance Ensemble, Forces of Nature Dance Company, Nathan Trice’s/Rituals, George Faison and Ballet X. Leyland has also performed at Jacob’s Pillow, the Cincinnati, Moscow and Miami International Ballet Festivals. Children's Division Manager, Mae L. Wien Faculty Chair. He has also appeared in numerous film, television, and print projects such as the History Channel’s Honor Deferred, The Conan O’Brien Show, YRB magazine, Law and Order, Starbucks Red Campaign, Puma, Sansha, Exberliner.com and Broadwayworld.com. In recent years Mr. Higgins has staged several ballets for SAB’s spring Workshop Performances. Mr. Scordato earned a merit scholarship to the School of American Ballet’s 2002 Summer Course at the age of 16 and was invited to continue his training in SAB’s Winter Term the same year. Ms. Mazzo auditioned for SAB’s Summer Course when she was 12 and attended the program for three consecutive years before moving to New York and enrolling as a full-time student in SAB’s advanced division in 1959. Ms. Ash returned to her hometown of Rochester in 2018 and 2019 to partner with the city of Rochester for Swan Dreams Project summer programs for underserved youth, and she continues to seek new avenues for the Project to inspire youngsters through her example. At the age of nine, after having seen a New York City Ballet performance of George Balanchine’s The Nutcracker™, he began studying dance at the School of American Ballet, the official school of New York City Ballet. Ms. Pilarre was invited by George Balanchine to join NYCB when she was 15. After attending the School of American Ballet’s 2000 and 2002 Summer Courses, Ms. Anderson enrolled as a year-round student in September 2002. Mr. Stafford served as a member of SAB’s guest faculty during the 2006-07 school year and joined the School’s permanent faculty in September 2007. The School of American Ballet has been a premier dance academy for 85 years but has never before allowed documentary filmmakers access to its inner workings. Mr. Scordato currently oversees the SAB/NYCB Apprentice Mentorship Program alongside SAB’s dean of students and continues to dance with New York City Ballet. She has danced principal or soloist parts in George Balanchine’s Ballo Della Regina, Chaconne, Divertimento No. Following early ballet study in Pennsylvania with Marcia Dale Weary, Ms. Killian began her SAB training with the 1977 Summer Course and was subsequently enrolled in SAB’s Winter Term from 1979 to 1981. View our grad school rankings & resources to find the best grad school for you. Upon retiring from performing in 2009, Ms. Abergel joined SAB’s faculty and became NYCB’s Assistant Children’s Repertory Directory. SAB and New York City Ballet have historically shared a common artistic leader: founder George Balanchine until his death in 1983, Peter Martins from 1983-2017, and, as of February 2019, Jonathan Stafford. At New York City Ballet, Mr. Peiffer performed featured roles in George Balanchine’s Agon, Chaconne, Divertimento No. School of American Ballet: 2014 Workshop. She served as a guest teacher at the School’s 2016 and 2017 California Workshop for Young Dancers and during the 2017-2018 Winter Term and held the position of Visiting Faculty Chair from September 2018 to July 2020. He began his dance training at the age of 6 with Central Pennsylvania Youth Ballet in Carlisle, Pennsylvania, under the direction of Marcia Dale Weary. 15, George Balanchine’s The Nutcracker®, Jewels (“Emeralds”), Square Dance, Symphony in C, Theme and Variations, Episodes, The Four Temperaments, Raymonda Variations, La Source, Valse Fantaisie, Tschaikovsky Pas de Deux, Who Cares?, Dances at a Gathering, Glass Pieces, The Goldberg Variations, Klavier, and Mercurial Manoeuvres. 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